A Revitalized Museum
The revitalization project undertaken by the Newark Museum (NJ) includes the relocation of the Arts of Global Africa Permanent Collection in a new gallery on the first floor. It preceded the reopening of the museum’s Washington Street entrance after two decades.
The African collection has grown since its first acquisition in 1917 of a Zulu beadwork apron from South Africa. Today the collection ranges from Ethiopian religious icons to gold regalia from Ghana, North African jewelry, South African beadwork, and studio portrait photography, which is presented in thematic sections: visual expression of spiritual beliefs, the relationship between art and leadership, and the human body as artistic canvas and source of inspiration. An introductory section, “What is African Art?,” features a selection of works from across the continent dating from the 12th century B.C. to the 21st century.
New Prize Celebrates Studio Craft
The Museum of Arts and Design (NY) announced the Burk Prize, a new annual award established by craft collectors Marian and Russell Burke, to reinforce the museum’s commitment to the next generation of artists working in the American craft movement. An unrestricted prize of $50,000, the award will go to a professional artist who is an American citizen or permanent resident, living or working within the continental United States, Alaska, Hawaii, Puerto Rico, Guam, or the U.S. Virgin Islands. The recipient must be under the age of forty-five, working in glass, fiber, clay, metals, or wood. He or she will be chosen by a jury of art, craft, and design professionals following an open application process.
Reunion of Rockefeller Treasure Trove
Two ten-feet-tall fireplace murals, commissioned in 1938 by Nelson Rockefeller for his Manhattan penthouse, have been reunited and are now on view together at the Museum of Fine Arts, Houston (TX). One, Untitled (Fireplace Mural, 1939) by Fernand Léger, was acquired by MFAH in 2017. It joined its sister mural, Le Chant by Henri Matisse, 1938, which has been on long-term loan since 2014. Together they “provide an excellent bridge between our collections of modern painting and decorative arts,” says Gary Tinterow, director of the museum.
Joint Acquisition Makes History
The Museum of Modern Art (NY) and the Neue Galerie (NY) have jointly acquired Paula Modersohn-Becker’s Self-Portrait with Two Flowers in Her Raised Left Hand (1907). MoMA Curator of Painting and Sculpture said of the acquisition, “This will be the only self-portrait by Paula Modersohn-Becker in the United States, and her only painting in a New York Institution…. It [is] the earliest painting by a woman on view in our collection galleries.”
A pioneering figure of the 20th-century avant-garde (1876-1907), Modersohn-Becker presents a pregnant woman staring out at the viewer. One hand is raised, holding two stylized flowers, the other is positioned over her swelling belly. She is believed to be the first woman to paint herself while pregnant. Shortly after giving birth to a daughter, she died of complications at age 31 in 1907.
Obamas’ Portraits Commissioned
The Smithsonian National Portrait Gallery (DC) announced that it has commissioned the museum’s official portraits of former President Barack Obama and former First Lady Michelle Obama. Artist Kehinde Wiley will create the portrait of President Obama. Amy Sherald was chosen to paint Mrs. Obama. The two portraits will be unveiled at the museum in early 2018 and will be added to the Portrait Gallery’s permanent collection.
At the end of each presidency, the museum partners with the White House to commission one official portrait of the President and one of his spouse. There are two sets of official portraits: one for the White House and one for the National Portrait Gallery. The museum began to commission Presidents’ portraits with George H.W. Bush.
The museum also announced the acquisition of the earliest known photograph of a U.S. President—an 1843 daguerreotype of President John Quincy Adams. The image was produced by Philip Haas only four years after Louis Daguerre’s invention was revealed to the public. It will be view later this year in the updated “America’s Presidents” exhibition.
The Museum of Fine Arts, Boston (MA) announced coordinated promised gifts of 17th-century Dutch and Flemish paintings from two local collectors. The gifts double the museum’s collection of Dutch and Flemish paintings and extend to funding for a new Center for the Study of Netherlandish Art, which is due to launch in 2020. The new center will focus on the study and conservation of the collection, organizing programs and exhibitions, and collaborating with scholars, curators, conservators, and institutions. A library of 20,000 volumes will be kept on-site.
Citation of Merit Presented
Carrie Mae Weems is the 2017 recipient of the Edward Hopper Citation of Merit for Visual Artists, presented by Governor Andrew Cuomo and the New York State Council on the Arts in recognition of her artistic contributions to the State. The award includes an exhibition of her series of photographs entitled “Beacon” at the Edward Hoppe House (through Feb. 10), where Hopper was born and lived until 1910. “To be receiving this award in recognition of the great artist Edward Hopper, whose painted world of dark nights and lonely people were so often a home to my imagination and anchor to my own practice is a tremendous honor,” said Weems.
Since 1971, the mission of the Edward Hooper House has been to preserve it and to encourage community engagement with the arts.
Hopper Collection Increases
Until 2013, the Provincetown Art Association and Museum (MA) had only one work by Edward Hopper in its collection. At the centennial celebration in 2014, two drawings were gifted to the collection. Recently last year, the Provincetown Art Association and Museum announced the acquisition of 96 drawings by Edward Hopper, 69 drawings and watercolors by his wife Josephine Hopper, and 22 diaries dating between from 1933-1956 chronicling the Hoppers’ lives on Cape Cod and beyond.
The Hoppers arrived on Cape Cod in 1930, and they spent almost forty years in their classic Cape house with a large window overlooking Fisher Beach. Until his death in 1967, the Cape is where he would go to paint what were to become some of his most famous works.
New Digs for Studio Museum
A design for an 82,000-square-foot building, a $175 million capital campaign, and a 50th anniversary are all in place in anticipation of a fall 2018 groundbreaking for the Studio Museum in Harlem’s new building, designed by Adjaye Associates and Cooper Robertson. The $175 million is projected to meet hard and soft construction costs, provide an operating and capital reserve, and build an endowment. Education and community programs celebrating the 50th anniversary will ensure that the museum maintains a vital presence in Harlem during the construction.
Unnoticed Rodin Bust, Noticed
Madison, NJ: A lost bust of Napoleon stood unnoticed for some 85 years in the corner of a dusty office of the Morris County borough hall in the city of Madison. Experts had lost track of the 1908 sculpture since the 1930s, when it was donated to the borough hall by philanthropist Geraldine Rockefeller Dodge without identification as a piece by Rodin. Two years ago, after suspicion turned to curiosity and then investigation, it was finally authenticated by a Rodin expert who traveled from France to legitimize the discovery. “There you are,” he exclaimed when he came upon the likeness. “Where have you been?”
The Mayor of Madison mused, “I’ve held meetings in that room for six years. People basically leaned on it—like it was their aunt’s old furniture. Later we realized, ‘Oh my God, this is a Rodin!’ We didn’t realize how valuable it was.”
How valuable? The white marble bust has been valued at between $4 to $12 million. It will make a temporary appearance at the Philadelphia Museum of Art before it is returned to its old home in Madison, NJ.
Museum Plans Arts Plaza
The Freeport Art Museum (IL) announced the receipt of a major gift of $250,000 in support of the development of a downtown arts-centered civic plaza. Earlier in the year the museum also received a highly competitive $100,000 Our Town grant from the National Endowment for the Arts, which also supports the Arts Plaza.
The space in downtown Freeport, currently owned by the museum, will be designed to host community events, concerts, art fairs, and other outdoor festivals. The hoped-for effect: to support the city’s strategic plan to make it a destination city by enhancing civic spaces in the downtown district. Says the City Manager, “The Arts Plaza will provide a key element in helping to add distinction to the downtown and will promote Freeport as a walkable, vibrant community.”
It’s All Over in Miami, But….
At this year's Art Basel in Miami Beach: 20 new galleries participated, 10 of them graduating to the Galleries sector; Philipp Kaiser debuted as the public-sector curator; and both exhibitors and over 82,000 guests enjoyed wider aisles, roomier booths, and enhanced lounging areas. Eleven large-scale works were included in the public sector with a live performance by the D’red D’warf band. Other popular features were a program of 15 films and videos with a special screening of Boom for Real: The Late Teenage Year of Jean-Michel Basquiat, and conversations with artists and a museum director. Journalists from across the world attended.
Next on the Art Basel list is Art Basel Hong Kong (March 29-31), featuring 248 galleries from 32 countries and territories. On display: both historical material and cutting-edge works by both established and emerging artists.
Following Hong Kong comes Art Basel (June 14-17), continuing the tradition of bringing the international art world to Messe Basel in the capital of Switzerland. The work of more than 4,000 artists will be on view with a full program of talks, exhibitions around the city, and events offered by Basel as well as surrounding cultural institutions.
Then, back to Art Basel Miami Beach (Dec. 6-9) with galleries from around the world showing modern and contemporary art, large-scale artworks, films, and performances.
Hugo Boss Prize Finalists Declared
Six finalists for the Hugo Boss Prize 2018, the biennial award established in 1996 to recognize excellence in the visual arts, were announced today by Nancy Spector, Artistic Director and Jennifer and David Stockman, Chief Curator at the Solomon R. Guggenheim Museum and Foundation, and jury chair for the prize. The short list of artists is selected by a panel of international critics and curators based on each artist’s contribution to the expansion of cultural, intellectual, and artistic boundaries. There are no restrictions on contestants regarding age, gender, nationality, or the medium they use. In addition to their significant aesthetic and conceptual contributions to the field of contemporary art, the finalists’ practices collectively reflect the rich diversity of artistic production today.
The following comprise the short list for the 2018 prize:
Bouchra Khalili (b. 1975, Casablanca)
Simone Leigh (b. 1967, Chicago)
Teresa Margolles (b. 1963, Culiacán, Sinaloa, Mexico)
Emeka Ogboh (b. 1977, Enugu, Nigeria)
Frances Stark (b. 1967, Newport Beach, CA)
Wu Tsang (b. 1982, Worcester, MA)
These six artists, says Nancy Spector, “are working at the vanguard of contemporary art practice, exploring urgent social issues, and providing new artistic vocabulary through which to examine personal and universal themes.” The jury noted, “Each of the nominated artists selected for the Hugo Boss Prize 2018 short list represents a wholly unique voice in the field of contemporary art. Though their mediums and methods range widely, each pursues deeply existential inquiries into individual struggles as well as those with broader social resonances. Keenly attuned to their surroundings and today’s present moment, these six artists have demonstrated a commitment to bringing art to the center of timely debates in society.”
The prize, administered by the Solomon R. Guggenheim Foundation, includes $100,000 cash and a solo exhibition at the Guggenheim Museum (NY). It will be announced in the fall of 2018; the exhibition will follow in 2019.
40-Year-Old Makes an Impact
A smallish museum in Pittsburgh, PA, the Mattress Factory has presented innovative site-specific art to its burgeoning public for 40 years. An international roster of artists has come to participate in this museum’s residency program. Many have been transformed by the experience. The museum itself has been transformed. Asked to study this phenomenon, the Center for Economic Development (CED) at Carnegie Mellon University came up with some answers.
In 2007 a CED economic and community impact study for the Mattress Factory characterized the museum as “a Swiss Army knife of economic development for the area.” An update ten years later came up with similar findings: that the museum has improved property, enhanced the quality of life, attracted workers and cultural tourists, educated youth, and injected spending into local businesses—a case study on the fruitful exchange between a museum and its surrounding community in the throes of transition.
Collaboration Sheds Light on Art/Technology
Arts organizations, 12 in all, throughout Greater Boston are partnering to present a region-wide exploration of art and technology. The collaboration will offer a range of exhibitions, performances, film screenings, and other programs all exploring the relationship between art and technology, the Boston area’s history of technical innovation and its overlap with art. Organized in conjunction with the exhibition “Art in the Age of the Internet, 1989 to Today” (Feb. 7-May 20) at the Institute of Contemporary Art, the project touches on issues of privacy, community, networks, identity, innovations, surveillance, and more; it examines how the internet has radically changed the field of art, especially in its production, distribution, and reception.
Partner organizations include Berklee College of Music, Boston Cyberarts, Carpenter Center for the Visual Arts at Harvard University, De Cordova Sculpture Park and Museum, Harvard Art Museums, Harvard Film Archive, Isabella Stewart Gardner Museum, MIT List Visual Arts Center, Museum of Fine Arts, Boston, Rose Art Museum at Brandeis University, and Tufts University Art Galleries.
Diversifying the Profession
The Newark Museum (NJ) was the latest institution selected by the Ford Foundation and the Walton Family Foundation to take part in an initiative aimed at diversifying the art museum profession. Through their Diversifying Art Museum Leadership Initiative, the Ford and Walton Family Foundations have each committed $3 million over three years to support creative solutions to diversify curatorial and management staff at 20 art museums across the country.
As its part of this initiative, the Newark Museum will offer a three-year program for six undergraduate students from nearby colleges who represent populations that are not traditionally part of museum leadership. Other participating museums have received funding for their diversification programs; they include the Andy Warhol Museum (PA), the Art Institute of Chicago (IL), the New Orleans Museum of Art (LA), the Oakland Museum of California, the Phoenix Art Museum (AZ), the St. Louis Art Museum (MO), the Studio Museum in Harlem (NY).
The initiative specifically supports such strategies as hiring professionals from under-represented populations, and offering fellowships, mentorships, and other career development options. Funded initiatives will affect curatorial and programmatic decision-making as well as managerial choices in the museums, and will lead to long-term benefits not only for the museums but also in the field as a whole.
"The arts play an essential role in our society by inspiring people of all ages to dream and to imagine new possibilities for themselves, their communities, and the world. To ensure the future health and vibrancy of the arts in America, we need more arts leaders who understand and relate to the deeply varied perspectives and life experiences that weave the rich fabric of our nation,” said President of the Ford Foundation Darren Walker.
Five Collaborating Museums and Andy Warhol
A five-institutional partnership announced “Warhol x 5,” a collaborative exhibition project to be held among three State University of New York campus museums and two private college museums in New York’s Hudson Valley region. The five museums are the Neuberger Museum of Art at Purchase College, the Samuel Dorsky Museum of Art at SUNY New Paltz, the University Art Museum at the University at Albany, the Frances Lehman Loeb Art Center at Vassar College, and the Center for Curatorial Studies at Bard College.
“Warhol x 5” is a presentation of five overlapping exhibitions that will be on view between January and November 2018. Each museum will explore a different aspect or theme of Warhol’s work, which will come from the Andy Warhol Foundation for the Visual Arts and from the share resources of all the participating institutions. Joint programs and curriculum opportunities will also be a feature of the program.
The five exhibitions are:
“People are Beautiful: Prints, Photographs, and Film by Andy Warhol” (April 15) Loeb Art Center. Portraits.
“Marking Time: Andy Warhol’s Vision of Celebrations, Commemorations, and Anniversaries” (Feb. 10-July 15) Dorsky Museum of Art.
“Warhol: Unidentified” (April 8-May 27) Bard Center. Polaroid headshots and candid photographs of the general public.
“Younger Than Today: Photographs of Children (and sometimes their mothers) by Andy Warhol” (June 29-Sept. 15) SUNY Albany. Polaroids and candids.
"Andy Warhol: Subject and Seriality” (July 22-Nov. 18) Neuberger Museum. Serial images of the same subject, concurrent and across time.
Cultural Campus Created
The Indianapolis Museum of Art announced that it will unite the diverse elements of its 152-acre campus—the IMA, the Garden, Lilly House, performance spaces, and the Virginia B. Fairbanks Art and Nature Park, 100 acres—into a holistic cultural campus called Newfields,
Newfields, a Place for Nature and the Arts, will serve as a community destination offering experiences in both art and nature. The IMA, The Garden, Lilly House. and Fairbanks Park will continue to exist as key attractions at Newfields, which debuted with a new website in early October.
“Our diverse landscape is unlike any other in the Midwest, and now is the time that we fully embrace all that we have to offer the community as a one-of-a-kind institution,” said Dr. Charles L. Venable, The Melvin & Bren Simon Director and CEO. “We have an exceptional art collection and extensive galleries surrounded by a historic estate—a National Historic Landmark featuring grand architecture, a working greenhouse and orchard; beautiful gardens that host exhibitions and outdoor festivals; performance spaces that welcome guests for film screenings and concerts; and a Park with meadows for outdoor concerts, a 35-acre lake, hiking trails and sculptures by contemporary artists from around the world. In addition, the Miller House and Garden in Columbus, Ind.—one of the nation’s most highly regarded examples of mid-century Modernist residences—extends our campus outside of Indianapolis.
“America’s Presidents” Reopens
It took 18 months of planning and extensive renovations to enable the National Portrait Gallery (D.C.) to reopen its “must-see exhibition, “American Presidents,” in September of this year. The display is the only place outside the White House where visitors can view a complete collection of presidential portraits.
Bilingual and accessible, the new presentation is grouped into six historical chapters: the first five lead off with a presidential figure: Washington, Jackson, Lincoln, Theodore Roosevelt, and Franklin Roosevelt; the sixth examines the more recent history of the presidency. Updated content provides the means to better understand events that coincided with the President’s time in office.
The transformation of the gallery itself includes LED lighting that adjusts to ambient light, interactive kiosks, period style architectural window treatments, and new carpeting. In addition, an enhanced website was launched that brings the museum’s scholarship to a national and international audience; an online exhibition reflects the content of the gallery.
1918 will bring the golden anniversary of the inaugural “American Presidents” exhibition, celebrated with an illustrated volume tracing the history of the U.S. presidency from Washington to the present day. In addition, a cellphone app will enable visitors to access bilingual biographical descriptions via text or audio.
School of Art is Born
It happened in Fayetteville, Arkansas in August. The University of Arkansas officially established the state’s first School of Art. A gift of $120 million from the Walton Family Charitable Support Foundation made it possible. The foundation was established by the family of the late Walmart founder, Sam Walton, to support charities in Arkansas.
The new School of Art, focusing on the study of American art, grew out of the art department of the university’s J. William Fulbright College of Arts and Sciences, which currently has 8,000 students (out of a total enrollment of 27,000 students). It will continue to offer the same undergraduate programs as the former department, including art history, arts education, ceramics, photography and painting while adding new graduate degrees, such as a master of fine arts in graphic design and doctorate programs in art history and arts education, to be developed over a five-year period. In addition to the new degree programs, the gift will provide scholarships, travel grants, and internship opportunities to students.
The gift will also support arts outreach across the state by means of collaborations with local organizations including the Crystal Bridges Museum of American Art in Bentonville, which was founded by Walmart heiress Alice Walton. “This gift will be transformative for our region and the field of American art and we look forward to collaborating with the University of Arkansas to create the most impact,” Margi Conrads, the museum’s director of curatorial affairs and strategic art initiatives, tells The Art Newspaper.
Hopper House Receives Gift
The Edward Hopper House (NY) announced the imminent receipt of more than 1,000 artifacts and memorabilia of Edward Hopper’s family, his early years, and a library of books, articles, papers, and documents. The massive gift comes from the Arthayer R. Sanborn Hopper Collection Trust. In this newly formed partnership, the rarely seen collection is to be known as the Sanborn-Hopper Family Archive. The collection includes original letters, drawings from his school years, the “TC” (Three Commodores) notebooks, his first art tools from his first attic studio, photographs, original newspaper articles, and more.
Expansion in Newark
A grant from the Henry Luce Foundation has launched a major project at the Newark Museum (NJ) to expand and reinterpret its permanent galleries of American art. The grant has also made possible the appointment of William L. Coleman as Associate Curator of American to help develop the project, a transformational next step for the museum.
The two-year project will focus on Modern and Contemporary American art as well as historical and contemporary Native American collection, and will support the American art installations in the museum’s newly renamed “Seeing America” galleries. Physical renovations will include improved sight lines and expanded wall space in reconceived galleries that will house works from the Native American collection and a selection of African American, Latin American, and European American art. An artist in residence will be another feature of the enhanced museum as well as two catalogues, planned for publication with the reopening of the new galleries in February 2019.
D.C. Joins Rescue Efforts in TX and LA
The National Endowment for the Humanities (NEH) is awarding up to $1 million in emergency grants to preserve humanities collections at libraries, museums, colleges, universities, and other cultural and historical institutions in the areas of Texas and Louisiana affected by Hurricane Harvey. Acting Chairman Jon Parrish Peede announced that “NEH has designated these funds to support the people in Texas and Louisiana in their efforts to protect the historic materials that document their invaluable contributions to American culture. We are proud to partner with Humanities Texas and the Louisiana Endowment for the Humanities and their dedicated staffs in a coordinated federal-state response.”
NEH provided approximately $250,000 in initial funding to the two state humanities councils to be re-granted according to their assessments of local needs. The Texas Cultural Emergency Response Alliance and the Heritage Emergency National Task Force also will receive NEH funding to conduct outreach and assess damage.
“We at Humanities Texas deeply appreciate NEH’s strong support of our state’s educational and cultural institutions that have been devastated by the hurricane. We will work with the affected communities to ensure that NEH’s funding goes as far as possible,” said Michael Gillette, executive director of Humanities Texas.
In addition, cultural institutions in FEMA-designated disaster areas were able to apply directly to NEH for streamlined emergency grants of up to $30,000, beginning on September 8, through the agency’s website, www.neh.gov. This special Chairman’s Grant opportunity will be open until December 31, 2017.
All current NEH grantees impacted by Hurricane Harvey may apply to change the scope of their grants to repurpose the agency’s funding to focus on critical needs. These grantees should contact the appropriate NEH division for further instructions.
Forever Stamps Mark Andrew Wyeth’s 100th Birthday
Twelve Forever stamps highlight Andrew Wyeth’s paintings, thus commemorating his 100th birthday. A dedication took place in his home town of Chadds Ford, PA, at the Brandywine River Museum of Art. In keeping with the policy of its stamp program, to celebrate the best of American life, history, and culture, the Postal Service circulates these miniature images that feature details of different Wyeth paintings: Wind from the Sea (1947), Big Room (1988), Christina’s World (1948), Alvaro and Christina (1968), Frostbitten (1962), Sailor’s Valentine (1985), Soaring (1942-1950), North Light (1984), Spring Fed (1967), The Carry (2003), Young Bull (1960), and My Studio (1974).The selvage shows a photograph of Wyeth from the 1930s.
New Outdoor Art Space Opened in Portland
The Portland Museum of Art (ME) opened the David E. Shaw and Family Sculpture Park to the public during the past summer. Located along the High Street in the Joan B. Burns Garden, the new park provides visitors a new perspective of the Arts District, the city of Portland, and the museum. The aims of the museum—creating a park as a place that makes art available to everyone, including the disabled, free of charge; as a community meeting ground; and as an outdoor gallery—have been met.
Director of the museum Mark Bessire says of the addition: “The PMA that inspires me is one that welcomes people of all backgrounds, connects the relevancy of art to our everyday lives, and serves our communities as a center for conversation….”
Museum Visits Top Half a Million
Museums for All, an initiative of the Institute of Museum and Library Services (IMLS) and administered by the Association of Children’s Museums (ACM), has facilitated more than 514,000 museum visits by low-income community members since its inception in in 2014. There are 190 museums participating in the initiative to encourage people of all backgrounds to visit and reap the many awards of regular trips to their museums. Individual admission fees range from free-$3.00 to individuals and families presenting an Electronic Benefits Transfer (EBT) card and a valid photo ID
A wide range of institutions now participate in Museums for All: art museums, children’s museums, science centers, botanical gardens, zoos, history museums, and more. They represent 37 states nationwide and the District of Columbia; California and Illinois have the greatest number of museums that are active in the program.
At the end of a long Art Newspaper interview of Thomas Campbell after his resignation as director of the Metropolitan Museum of Art (NY) Thomas Campbell was asked a final question:
Q: Its always been a “he” that runs the Met so far, but do you think it is ready for a female director as your successor?
A: I can’t opine on that. It’s something for the search committee. I would say that across the country there is a big demographic shift going on. In the AAMD (Association of Art Museum Directors) there are a great many women directors, more than there were 20 years ago. There are some very capable individuals out there and, internally, something like 70% of our staff are women and many of my senior executive staff are women. So, I think our search committee has a very strong field, both male and female, to work with.
African Art and Google
The Smithsonian’s National Museum of African Art (DC) joins more than 180 museums, cultural centers, and fashion houses around the world to bring 3,000 years of the world’s fashion together in the largest-ever virtual exhibition of style. The “We Wear Culture” project, launched in June, is organizes and hosted by Google Arts & Culture and uses state-of-the-art technology to allow visitors to explore everything from the ancient Silk Road and courtly fashions of Versailles to British punk and the stories behind the clothes people wear today. The National Museum of African Art is telling immersive stories based on artifacts from its “Connecting the
Gems of the Indian Ocean: From Oman to East Africa Project” that will reach new audiences through this global collaboration at g.co/wewearculture.
Menil Adds Fifth Building to Campus
A 30,000-square-foot, $40 million Menil Drawing Institute (TX) is the fifth art building on the Menil 30-acre campus. The new building began its inaugural year on October 7. As a preamble to the opening, the Menil Collection presented “The Beginning of Everything: Drawings from the Janie C. Lee, Louisa Stude Sarofim, and David Whitney Collections in the main building. And in the new facility, a variety of inaugural year exhibitions and activities will take place including the exhibition “The Condition of Being Here: Drawings by Jasper Johns” with works drawn from the same gifts and bequests. In addition, another exhibition, “Think of Them as Spaces: Brice Barden’s Drawings” will help to introduce the new galleries
New Museum Opens in Illinois
Evanston, Illinois is home to a new museum. The Hamil Time & Glass Museum opened in September with two collections: rare and historic timepieces from every corner of the world, and stained-glass windows and glass art pieces including and highlighting American masters of the turn of the 20th century—John La Farge, Mary Taillights, and Louis Comfort Tiffany.
The museum, built with open vertical spaces to accommodate large stained-glass windows and timepieces, tells the story of the impact that time and glass have had on world culture. Exhibits explore the history of time, the art of creating beautiful timepieces, and the science and mechanics of inventing clocks and other timepieces to tell time accurately.
A few interesting facts about timepieces:
The pendulum was invented in 1656 by Christiaan Huygens, a Dutch mathematician and scientist and is based on Galileo’s theories.
The second hand appeared on dials in the 1500s in German clocks but they were inaccurate, often by hours a day. These clocks would have to be reset every morning according to sundials.
Second hands became commonplace in 1675 and, with the added precision of the pendulum, became much more precise.
More interesting facts about stained glass:
19th-century artists created colors and textures that had never existed in glass.
Their stained-glass windows and other art pieces won competitions in Europe, reigniting a passion in stained glass hat had not been seen since the 14th century.
Glass is made from melting sand at about 3,000 degrees Fahrenheit.
Oklahoma Museum Gifts Teachers
Following last November’s election, and the defeat of a state question that would have legislated a much-needed raise, the Philbrook Museum of Art in Tulsa supported Oklahoma public school teachers by offering them free, annual museum memberships. To date, 1046 teachers from 80 public-school districts across the state—more than 10 percent from outside the Tulsa Metro area—have joined the program.
The non-partisan, non-profit Oklahoma Policy Institute reported that, of the 50 states, Oklahoma’s 2015-16 average classroom teacher salary ranked 48th, ahead of only South Dakota and Mississippi. Average salaries decreased from the previous year by more than $7,500, after accounting for inflation.
“I am grateful,” commented one recipient. The free membership both “supports the arts and connects my students to artistic experiences.” “Thankful,” wrote another whose husband is also a teacher. “It would otherwise be a ‘luxury’ not in our family budget.” “Thank you so much for celebrating teachers,” said another.
This small effort for teachers perfectly aligns with our commitment to lifelong learning, community engagement, and providing access to all,” said Philbrook Director Scott Stulen.
News from New Jersey
Together with the renewal efforts taking place around the city of Newark, the Newark Museum (NJ) is undertaking a $5 million project to improve and update its facilities. Exterior enhancements will include new double glass doors to serve as the main entrance, a public terrace to be used for programs and events, and a new ramp to make the building fully accessible. Inside, the new main entrance will result in a transformation of the existing space—updated visitor’s amenities, a spotlight on the Arts of Global Africa collection, a new 5,000-square-foot exhibition space, and a new lift to accommodate all visitors.
The museum is open to the public throughout construction.
Adding to its physical renewal, the Newark Museum received a $750,000 grant from the Henry Luce Foundation to expand and reinterpret its permanent galleries of American art and to document the collections through two new publications. The two-year grant will support the renamed and fully renovated “Seeing America” galleries in which African-American, Latin American, and European-American art will be showcased.
On November 25, 1917, the New Mexico Museum of Art officially opened its doors to the public. A crowd of 1,200 gathered to celebrate the opening of the state’s first art museum. “The art museum shall uplift us to the level of our own better natures and make us worthy of the heritage which the mighty past has left us,” said the opening speaker.
This year, 100 years later, the New Mexico Museum of Art—after a two-month closure for restoration and the installation of new exhibitions—will host a series of 100 programs, events, and celebrations honoring its past and looking ahead to its future. November 25 will be the kick-off day when guests can participate in a day-long celebration of the following year-long birthday events.
A 5 1/2-acre wooded area around the Kreeger Museum’s (DC) Sculpture Garden opened to the public in May. It expands the exhibitions space for contemporary sculpture while offering visitors the opportunity to explore the relationship between art and the natural world.
Arctic Landscape Is Brought to Life
With tourism increasing in Alaska, the Anchorage Museum (AL) has introduced a new Land Marks series using technology to expose its visitors, few of whom have ever seen the miracles of this part of the world, to remote Arctic landscapes. The series was launched in May with “Terra,” a wall installation showing digital and moving images of Arctic landscapes and wildlife.
Excitement among the museum’s professionals derives from the accessibility of the off-the-shelf technology used to deliver content. Nearly 1,200 Nanoleaf Aurora panels—triangular, color-changing, LED light panels—comprise the installation. These panels are available at retail outlets or online. Users control the light through their mobile devices or by verbal commands. Most often, units are used as decorative or lighting elements in homes or businesses. Here, the Anchorage Museum is exhibiting the largest installation of Nanoleaf Aurora panels to date, and the first to integrate film and digital images. The museum’s design team fabricated 28 sheet metal panels to hold the 1,188 triangular lights used in the installation, which is almost 58 feet wide and nearly 6 ½ feet high. Nanoleaf Canada Limited is based in Toronto.
An additional attraction at the Anchorage at Rasmuson Center is the new wing to the museum, which makes its debut in September. It adds 25,000 square feet for the collection of Northern art, new Discovery Center space, and an informal gallery and event space.
A Little Havana Emerges in Miami
El Museum de Little Havana (FL) is, as of May this year, a permanent museum on Calle Ocho in Miami. It features the history of the neighborhood, home to many Cuban exiles and immigrants from Central and South America, and showcases the social, cultural, and political import of the area in South Florida. The announcement was made at the site by the partners who effectively brought it about: the Barlington Group and the HistoryMiami Museum.
In the first half of the 20th century, before it became the quarter it is today, homesteading farmers, a Jewish population, and pockets of post-WWII ethnic groups called the neighborhood home. The late 1950s and after saw an influx of Cubans; it was at that time that it became known as Little Havana.
The resources of the HistoryMiami Museum are evident in the inaugural exhibition of El Museum de Little Havana: photographs and artifacts tell the story of the history of the three-square-mile neighborhood.
Big $$ for Fellows
The Meadows Museum (TX) at Southern Methodist University in Dallas announced that it has received a new grant of $80,000 ($40,000 for each of two years) from the Center for Spain in America to fund two more years of the museum’s pre-doctoral Meadows/Prado Curatorial Fellowship. These fellowships provide a scholarly, professional, and international experience, offering its participants the opportunity to research Spanish art at both museums. One appointment is made by each institution annually. In 2014, with Mellon Foundation support, the program was expanded to include a post-doctoral fellowship.
“The Meadows Museum takes great pride in training the next generation of curators, art historians, conservators, and museum professionals,” said Director Mark Roglán.
Conserving Computer-Based Art
A research and treatment initiative to preserve software and computer-based artwork was undertaken in 2016 at the Solomon R. Guggenheim Museum. It began with the restoration of Shu Lea Cheang’s web work Brandon (1998-99). Begun and completed: all pages are now accessible, text and image animations are displayed properly, internal and external links are no longer broken. Brandon can once again be accessed at brandon.guggenheim.org.
Glass Sculpture Provides Respite
The Chihuly Sanctuary—the most comprehensive health care environment structure ever created by glass artist Dale Chihuly— was unveiled in mid-May at the Fred & Pamela Buffett Cancer Center in Omaha, Nebraska.
Located on the second and fourth floors in the heart of the 10-story cancer center, the Chihuly Sanctuary features ten site-specific art installations designed to provide a place of respite and reflection for patients, families, and staff. It will serve as the cornerstone of the Healing Arts Program with art on display throughout the massive 615,000-square-foot, $323M building on the campus of the University of Nebraska Medical Center and its clinical partner, Nebraska Medicine.
Chihuly created a new body of work he calls Glass on Glass—a combination of painting and sculpture that is both two- and three-dimensional, transparent, and opaque. The glass on glass pieces will make their world premiere at the Chihuly Sanctuary. To create these pieces, Chihuly paints with vitreous-glass enamel on glass panels—glass on glass. He then creates overlapping compositions that are encased within a frame. When lit, they come to life as multidimensional paintings in color, light, and glass.
The Art of the Draw
Four Santa Fe (NM) cultural institutions celebrate the “Art of the Draw” during the summer months of 2017. The multi-venue collaboration celebrates drawing as fundamental for creation in the arts and sciences for representational painting, sculpting, engineering, design, and architecture. Four exhibitions/events explore drawing as the root of art.
At the New Mexico Museum of Art: “Lines of Thought: Drawings from Michelangelo to Now: From the British Museum” (Sept. 17) Works that span more than six centuries.
At the Georgia O’Keeffe Museum: “A Great American Artist, A Great American Story” (Oct. 31) Drawings presented in conjunction with finished paintings, show how O’Keeffe worked out ideas before picking up her paintbrush.
At the Institute of American Indian Arts’ Museum of Contemporary Native Arts: “Action Abstraction Redefined” (Dec. 31, 2018) Objects and drawings created in the 1960s and 70s .
At the Santa Fe Desert Chorale Summer Festival: For the program entitled “Liberté: Music of Resistance and Revolution,” the eighth movement of Francis Poulenc’s Figure Humaine, a score dedicated to Pablo Picasso.
DuPont Corporation Gifts Delaware Museums
DuPont has announced that it will make a substantial donation of significant works of art from the DuPont collection and the Hotel du Pont to the Brandywine River Museum of Art, the Delaware Art Museum, and the Hagley Museum & Library. The gift includes works by three generations of the Wyeth family, Frank Schoonover, and Edward Loper, among others.
Polk Museum of Art Goes Academic
After more than a year in planning, the Polk Museum of Art in Lakeland, Florida, became central Florida’s only community academic art museum on June 1, when a new affiliation was launched between the museum and Florida Southern College. The Polk Museum of Art at Florida Southern College, home to the world’s largest collection of buildings designed by Frank Lloyd Wright, brings a host of benefits not only to the college, but also to the local community, the state of Florida, and visitors to the region.
Thanks to generous donors, the museum will maintain its free admission policy, and will host art exhibitions and expand its role as a venue for community events. It will retain its own non-profit status and strive to draw visitors to the Lakeland area from throughout the United States.
A new chapter for the college and the museum began with a major exhibition of works from the Dutch Golden Age. “Rembrandt’s Academy: Old Master Paintings from Private Dutch Collections,” organized by the Hoogsteder Museum Foundation, The Netherlands, will be on view through September 24. Another exhibition on the horizon will feature paintings of American figurative art, a selection from a recent gift donated by alumnus J. William Meek III. Meek’s collection and the coming exhibition focuses on figurative works that illustrate the human form. In addition, the same exhibition will include Meek’s other gift of artworks from the estates of major American artists.
Adirondack Museum Redefined
No longer bearing its former handle, the Adirondack Museum (NY) has opened as the Adirondack Experience, The Museum on Blue Mountain Lake. The new branding and updates serve to better represent the institution to the next generation of visitors, while maintaining its collection and its same kaleidoscopic range of programs and activities.
“Consumer research indicates that the travelers and tourists of today have different expectations of cultural attractions. They want rich interactive experiences that immerse them in their environment and create instantly shareable and long-lasting memories,” explained Executive Director David Kahn. “To compete with new destinations in the Adirondack region and around the Northeast, we need to ensure our identity reflects what we truly are: a 121-acre indoor-and-outdoor experience. We provide a fun, active, and educational way for visitors to immerse themselves into the reality of life, work, and recreation in the Adirondacks.
“We remain steadfast in our mission to expand public understanding of Adirondack history and the relationship between people and the Adirondack wilderness.”
Museum Mile, New York Style
Celebrating its 39th year, New York’s Museum Mile took over Fifth Avenue from 82nd Street to 105th Street, from 6 p.m. to 9 p.m. on a balmy night in June. Since its inception 39 years ago, more than 1.5 million people have taken part, visiting along the way seven of the city’s premier cultural institutions, which are open free to the public for the duration of the evening. The opening ceremony took place at El Museo del Barrio, the farthest north of the participating museums, which also include the Metropolitan Museum of Art; the Neue Galerie New York; the Solomon R. Guggenheim Museum; Cooper Hewitt, the Smithsonian Design Museum; the Jewish Museum; the Museum of the City of New York.
Special exhibitions and works from permanent collections were on view inside the museums’ galleries and live music from jazz to Broadway tunes to string quartets regaled the crowds in the street.
At the Museo del Barrio: “Belkis Ayón: NKAME”—a retrospective of this Cuban artist who mined the founding myth of the Afro-Cuban fraternal society Abakuá to create his visual iconography. Also, in partnership with the Wallach Art Gallery, El Museo presented “UPTOWN: nasty women/bad hombres,” which featured the work of artists engaged with sexism, racism, homophobia, the power of the media, and violence.
At the Museum of the City of New York: “Rhythm & Power: Salsa in New York”—an exploration of how immigrant and migrant communities in the city developed salsa into a global phenomenon.
At the Jewish Museum: “Florine Stettheimer: Painting Poetry”—paintings, drawings, costume and theater designs, photographs, and ephemera.
At the Cooper Hewitt, Smithsonian Design Museum: “The Jazz Age: American Style in the 1920s”—interior and industrial design, decorative art, jewelry, fashion, architecture, music, and film.
At the Solomon R. Guggenheim Museum: “Visionaries: Creating a Modern Guggenheim”—works by Picasso, Kandinsky, Pollock, Mondrian, and Brancusi.
At the Neue Galerie New York: “Austrian Masterworks from the Neue Galerie New York”—Klimt, Kokoschka, Kubin, and Schiele.
At the Metropolitan Museum of Art: “Rei Kawakubo/Come des Garçons: Art of the In-Between”—womenswear from 1981 to the present.
DNA Evidence in Long Island
The Innocents, a 2002 series of photographs by Taryn Simon is on display at the Guild Hall Art Center (NY) in East Hampton through July. The exhibit marks the 25th anniversary of the Innocence Project, a non-profit organization that aims to use DNA evidence to exonerate the wrongfully convicted.
The display shows innocent people who had served time for crimes they did not commit at the site of their alleged criminal act, or at the site where they were incorrectly identified.
“This entire exhibit is about misleading visual evidence,” said Andrea Grover, executive director of the Hall. She goes on to opine that in “an indirect way” the series relates to the idea of fake news and the intensifying of ideological bias in the media. “This series encourages one to look at photography in a much deeper way—not to look at it as factual, as some absolute truth.”
About the series, Simon writes: “Photography’s ability to blur truth and fiction is one of its most compelling qualities. But when misused as part of a prosecutor’s arsenal, this ambiguity can have severe, even lethal consequences. Photography can turn fiction into fact…its ambiguity, beautiful in one context, can be devastating in another.”
The Logic of Time on Display
Themed displays are on a downward trajectory; chronological displays have come back. When the new Villa Getty (CA) reopens in 2018, after nine years of renovation and expansion, galleries will have been rehung based on the chronological output of the ancient Greeks, Romans, and Etruscans. Director of the J. Paul Getty Museum Timothy Potts: Themed galleries are “fine as a social history of art, [but chronology] is the only way you can understand the direction of stylistic change.”
It’s a mini-trend: The National Gallery of Art (D.C.) reopened its East Building last September with an historical narrative of Modern art. The Museum of Modern Art (NY) recently closed its nine-gallery, year-by-year presentation of works from the 1960s.
Curator at the Villa Jeffrey Spier explains: The rehang will be “a more intellectually coherent” presentation with a clear sense of stylistic development over time.
Houston Welcomes New Museum
Rice University (TX) announced the opening of its new, internationally focused arts institution. The Moody Center for the Arts was conceived as a platform for creating collaborative works and for presenting innovative transdisciplinary experiences to the public as well as the university community. The center, a 50,000-square-foot, $30 million building, opened in late February with the mayor of Houston, civic officials, leaders of other cultural institutions, donors, artists, students, and the public in attendance. The occasion was the setting for gala parties, panel discussions, and the world premiere of a Vespertine Awakening, a commissioned dance work, and a late-night student party.
Small Liberal Arts College Receives Large Gift
The Colby College Museum of Art in Waterville, Maine, three hours north of Boston, was the recipient of a gift of 1,500 works of art ranging from Van Gogh to Weiwei. Peter and Paula Lunder, collectors with strong ties to Maine and the college are the donors whose generosity to the college included a previous gift in 2013 of hundreds of works to open a $15 million space designed to house their collection. The new donation, which includes money to endow a new study institute, is valued at more than $100 million.
The Lunder Institute for American Art will host on-campus residencies for scholars, artists, and graduate students, and develop exhibitions and conferences centered around the museum’s collection.
“It’s game changing, says Colby President David A. Greene. “You may get this at a major university, but this is the kind of thing that is just never done at a liberal arts college.”
Maine Museum, Reimagined, Reopens
After a month-long closure for renovations, the Portland Museum of Art reopened as a reinstalled, re-envisioned museum. For the inaugural spectacle, a massive 130-foot-wide cinematic production, Lights Across Congress, was screened onto the façade of the museum, at the end of which the museum doors were open to the gathered visitors. More than 20 community organizations, businesses, and supporters as well as ice sculptors, food trucks, and the Friends of Congress Square Park took part in the festivities.
First and Only—Writers Featured
A grand opening took place on North Michigan Avenue in Chicago in the spring of this year—the American Writers Museum, the first and only museum of its kind in America, celebrates American writers by exploring their influence on the country’s history, its identity, its culture, and its people.
The interactive, high-tech museum will showcase the personal stories and literary works of diverse American writers, from Mark Twain to Dr. Seuss. Themed galleries, changing exhibits, educational programing, and special events will crowd the calendar. Visitors will come face to face with great writers in the Writers Hall, accompany roving writers such as Kerouac and Steinbeck on their travels, visit writers’ homes and fictional sites in Nation of Writers. Exhibits will de-mystify famed writers’ lives and methods. Readers Hall will host films, talks, readings, and presentations to schools and other groups.
Re-Visioned: A Philip Johnson Work
2017 marks the 50th anniversary of the completion of the Kreeger Museum (DC), designed by Philip Johnson in 1964, finished in 1967. Two prominent Washington architects took on the task of conceiving and curating a special exhibition celebrating the occasion.
“ Our vision for this anniversary exhibition goes beyond the expected historic sketches, photographs of construction, and archival correspondence between Mr. Johnson and his client. Instead we have asked artists to create entirely new artistic material based on the inspired design of the building. We want the public to see the museum in new and fresh ways; through the eyes of some of the region’s most prominent art photographers. Each artist creates images that will engage the public and challenge them to look at Philip Johnson’s work from the artist’s unique point of view. In that way, the building itself transforms from being the subject of the exhibition to becoming the inspiration.” –Hickok Cole Architects Michael E. Hickok and Yolanda Cole
Storm Wreaks Havoc
Early in January, high winds hit the Albany, Georgia, area, leaving devastation in its wake. The Albany Museum of Art sustained severe damage that resulted in its closing: sections of the roof were torn off allowing rain into offices, galleries, and vaults. Several inches of water on the second and first floors caused the outage of power and humidity control.
Due to immediate action by Director Paula Williams, reaching out to staff, board members, insurance companies, lenders, volunteers, and professionals in the field, a task force was formed to help in the recovery. Conservationists assessed damage, while unharmed objects were transported to off-site fine-arts storage facilities. The extent of the damage and the time and cost to repair them are still not known.
Houston (TX) Gets New Gallery
Houston’s new international arts center, the Moody Center for the Arts, opened on the campus of Rice University on February 24, 2017. A noncollecting institution, it was built for collaborative works of all kinds and for presenting transdisciplinary experiences. It opened with five art exhibitions, a world-premiere dance performance, and four days of events celebrating the center’s presence on the campus as well as in the community.
Designed by Michael Maltzan, the Moody contains an art gallery; a gallery for experimental artwork; a multi-media gallery for video and installation art; a studio theater seating 150 people; a Maker space—wood shop, metal shop, paint shop, and prototyping area; studio classrooms; a tech-issue library; audio visual editing booths; offices; and a café.
“Art-Less” Day Protests Ban
In its wisdom, the Davis Museum at Wellesley College (MA), marked Presidents’ Day this year with its response to President Trump’s executive order to ban citizens from seven majority-Muslim countries from entering the U.S. The response, “Art-Less,” highlighted the contributions of immigrants by de-installing or shrouding works on view from the permanent collection that were either made by artists who were immigrants, or given to the institution by immigrant collectors. Easily removable objects such as paintings were de-installed, while other pieces such as objects in display cases, were shrouded with black fabric. Both actions demonstrated what has been gained from the contribution of immigrants. Some 120 objects, or about one-fifth of the works on display were affected.
Director Lisa Fischman: “We’ll see pockets of absence all over the museum. The African art section is almost entirely lost to view.” (Around 80 percent of the works were donated by a family who came to the U.S. from Poland after WWII.)
The Davis encourages other institutions to take a similar approach. For the entire Art-Less week, objects removed or covered are labeled “made by an immigrant” or “given by an immigrant.” The graphic design of the labels are available on the Davis website for other museums to use. “I don’t see why we wouldn’t respond [to the ban], said Fischman. “I wouldn’t expect art to influence policy, but I would expect the encounter of art to transform lives.”
$1B Museum to Rise in LA
Star Wars creator George Lucas announced plans to build a museum, the Lucas Museum, in Los Angeles to house his collection of artworks—some 10,000 paintings and illustrations—and memorabilia in Exposition Park, nestled between the California Science Center and the Natural History Museum of Los Angeles County. The final decision came after plans to establish his museum in Chicago faltered due to a two-year legal fight with conservationists. In addition, the choice of Los Angeles came after almost ten years and a competition with San Francisco, which finally offered Treasure Island as the museum venue.
The promised location in Exposition Park, said members of the board, “best positions the museum to have the greatest impact on the broader community.” The focus will be on narrative art, but at present, directors are focusing on “building what we believe will be one of the most imaginative and inclusive art museums in the world.”
Noted: Openings and Acquisitions
* Institute of Contemporary Art, Los Angeles, previously known as the Santa Monica Museum of Art, will open a new 12,700-square-foot, $5-million space in the city’s Arts District, transforming a classic mid-century warehouse into a state-of-the-art museum. In addition to galleries, an education annex, indoor/outdoor café, and garden, the museum will also feature an experimental kitchen café.
* * Institute of Contemporary Art, Miami is due to move to its new 37,000-square-foot home in the city’s Design District.
* A private equity tycoon plans to open a private museum in New York City’s Chelsea district. It will show modern and contemporary art.
* The Marciano Art Foundation is due to launch an exhibition space in Los Angeles in a former Masonic Temple.
* The Bass Museum (Miami Beach, FL), refurbished, is scheduled for a spring 2017 reopening. The museum has been closed since May 2015. Fifty percent more space has been added.
* The Getty Museum in Los Angeles paid a record $30,000 million at auction for Orazio Gentileschi’s Danaë, a rendering of Zeus stealing into the bedroom of a princess. It joins another of the museum’s collection of Gentileschi’s work from the three-part series, Lot and His Daughters.
* The Philadelphia Museum of Art was the recipient of a bequest including more than 50 works of art by Cy Twombly, Philip Guston, Agnes Martin, and Edward Hopper. Also included in the bequest is a $10 million endowment to support contemporary art programs.
* The Museum of Modern Art (NY) recently received a gift of 102 modern works by Brazilian, Venezuelan, Argentinian, and Uruguayan artists from the Phelps de and Gustavo Cisnero, thus reinforcing it positions as a prominent center for the study of Latin American art. In addition, the couple endowed a new research institute at the museum dedicated to Latin American art.
* Real estate investor James Goldstein has promised to donate his estate and its contents to the Los Angeles County Museum of Art, as well as a $17 million endowment upon his demise. His Modernist home near Beverly Hills is the first work of architecture to enter the museum’s collection.
* The Cincinnati Art Museum has acquired the Joel and Bernice Weisman collection of 800 Japanese prints made during the period that spans the 17th to the 20th centuries. An extensive reference library accompanies the collection, which represents a broad spectrum of artists and styles across the ages.
Can You Name Five Women Artists?
The National Museum of Women in the Arts (DC) launched the second year of its #5WomenArtists social media campaign during March—Women’s History Month. The object: to reach a wide audience to celebrate women artists. Using the hashtag #5WomenArtists, the museum challenges social media users to answer the question, “Can you name five women artists?” “Our goal,” says Director Susan Fisher Sterling, “is to reinforce the numerous conversations we have sparked around the globe about gender parity in the arts.”
Last March, nearly 400 art museums, libraries, and galleries from 20 countries shared their favorite women artists, and more than 11,000 individuals joined in. National Museum of Women in the Arts greatly increased its social media reach, including raising its Instagram followers by 140 percent. Drawing on the enthusiasm generated by the first campaign, more than 150 institutions from 41 states, 16 countries, and five continents have signed on as contributors in 2017 at museumVIEWS publication time.
This year, to enhance the campaign, NMWA is partnering with the Albright-Knox Art Gallery in Buffalo (NY) and Balboa Park in San Diego (CA). Albright-Knox’s annual #ArtMadness competition asks fans to vote for their favorite artworks, highlighting the importance of female artists. With a focus on parks and nature, Balboa Park celebrates women in arts and culture by inviting organizations, artists, and photographers to “takeover” its Instagram account; NMWA posts works from its collection for one day during the week-long takeover.
NMWA works closely with Google Arts & Culture, which highlights works from more than 1,000 museums worldwide. By the end of March, the museum will have added 100 images to the Google platform, which is used in museums and classrooms around the world.
Muslim Center to Enrich Manhattan
Sometime in May, against the backdrop of President Donald Trump’s ongoing attempt to ban immigrants from six mainly Muslim countries from entering the U.S., Sheikh Mohammed Al-Thani, a Qatari national based in New York, is due to launch the Institute of Arab and Islamic Art, a cultural space in downtown Manhattan. The institute will host exhibitions traveling from the Arab and Islamic worlds.
“It made absolute sense to build an institute that would not only showcase the breadth of art and culture from the Arab and Islamic worlds, but also challenge certain stereotypes and misconceptions that hinder cross-cultural understanding,” Al-Thani says.
Plans are in place to hold quarterly exhibitions at this non-collecting institute. Other expectations include a residency program, translation facilities, and the production of publications. Although the location has not been announced, the organization declares itself an independent, non-profit center supported by donors and sponsors.
“We exist because of an ever-challenging environment,” says Al-Thani, “and the current political climate in the US will only encourage us to continue our hard work and make sure that through our institute’s program, we will be able to engage the community to learn more about our cultures and differences.”
Speed Receives Gift
The Speed Art Museum (KY) has received a gift of 35 contemporary artworks from Los Angeles-based collector Gordon W. Bailey. The gift focuses on works created by African-American artists from the South. All the artists are making their debuts in the museum’s permanent collection.
New Galleries in D.C.
The Smithsonian American Art Museum has reimagined its permanent collection: refurbished galleries, featuring recent acquisitions, an expanded presentation of the much loved Throne of the Third Heaven of the Nations Millennium General Assembly by James Hampton, traditional pieces such as quilts, and works that reveal a more personal vision.
“The Smithsonian American Art Museum has long recognized folk and self-taught art as integral to the greater story of American art,” said Betsy Broun, museum director. “The museum’s mission to tell the story of America through the art of its people is particularly relevant at a time when museums everywhere are realizing that an expanded narrative of American art is necessary for engaging and satisfying contemporary audiences and accurately portraying the scope of creativity in this country.”
In other news, the Smithsonian American Art Museum reports that it has surpassed its campaign goals for both financial and significant gifts, a combined total of $105 million with more than a year remaining in the campaign. A portion of the funds are earmarked for renovation of the historic building, the addition of an education center in the National Historic Landmark Renwick Gallery, and enhancing the endowments. Most recently the museum was gifted with four multichannel video installations by David Hockney, several works by Bill Traylor and William Edmondson, a Grandma Moses painting, 100 photographs by Irving Penn, a steel sculpture by David Smith, works by Mel Bochner, Louise Bourgeois, Eric Fischl, Richard Prince, Richard Estes, Harriet Frishmuth, Nicholas Nixon, Dale Chihuly, and Roy Lichtenstein.
2016 Hugo Boss Prize Awarded
Announced by Richard Armstrong, director of the Solomon R. Guggenheim Museum and Foundation (NY), and Mark Langer, chairman and CEO of Hugo Boss AG: Anicka Yi has been awarded the Hugo Boss Prize of 2016. Yi is the 11th artist to receive the biennial prize which was established in 1996 to recognize significant achievement in contemporary art. The winner receives $100,000, and a solo exhibition at the Guggenheim in April 2017.
Latin America Art Comes to NYC
The Museum of Modern Art (NY) has received a gift from the Colección Patricia Phelps de Cisneros, adding more than 100 works of modern art by major artists from Latin America to the collection, and establishing the Patricia Phelps de Cisneros Research Institute for the Study of Art from Latin America. The institute will offer opportunities for curatorial research and travel, host visiting scholars and artists, convene an annual international conference, and produce research publications on art from Latin America—becoming a preeminent research center in the field.
The Cisneros gift includes 102 paintings, sculptures, and works on paper, made between the 1940s and 1990s by 37 artists working in Brazil, Venezuela, and the Rio de la Plata region of Argentina and Uruguay.
Writers Museum Opens
“The first and only museum of its kind in the nation” crows the announcement of the opening in March 2017 of the American Writers Museum on Michigan Avenue in Chicago. The museum will showcase the personal stories and literary works of diverse American writers, from Mark Twain to Dr. Seuss, through its themed galleries, interactive exhibits, educational programs, and special events.
Myth Makers in Maryland
Artists Donna Dodson and Andy Moerlein (aka Myth Makers) are the builders of a sapling sculpture, constructed on the grounds of the Academy Art Museum (MD)—a 25-foot high bird sculpture, made from natural materials with the help of scavenging volunteers. The figure is based on the Hooded Merganser, a bird that is common in Maryland; figuratively it represents independence and bravery, referencing favorite Eastern Shore native Frederick Douglass.
Although monumental in scale, the artists’ works are temporary, site specific, and responsive to weather conditions. They last up to a year, appearing, fading, and disappearing. Similar works have been shown in Peru, Switzerland, Canada, China, on Broadway (NY), in Muskegon (MI), New Orleans (LA), and all around New England.
The goal of the museum is to engage the neighboring counties, a wider audience. To that end programs include links to the surrounding flora, history, visual arts, and language arts.
African Art Gallery Redesigned
The reinstallation of the Cincinnati Art Museum’s (OH) permanent collection of African art was unveiled in December 2016. Many of the artifacts are on view for the first time, the new design and layout placing artworks in thematic groupings—a cultural and historical context. Some objects are on view in visible storage drawers.
WWII Drawings at the Morgan
An artist named Philip Pearlstein found his métier while serving in the army: assigned to the visual-aids shop charged with producing charts, map keys, and manuals, he learned silk screening and printing techniques, and used his spare time, both in the U.S. and overseas to make sketches and watercolors of everyday army life. This cache of works survived the war and found its way to a New York Gallery and thence to the Morgan Library and Museum (NY) through a small group of generous donors.
After recording the realities of life as a G.I in basic training, the crossing of the Atlantic in a ship convoy, and landscapes and civilians he encountered, Pearlstein came home to graduate from the Carnegie Institute and move to New York to begin a career as a graphic artist. His companion on his move was a younger friend named Andy Warhola with whom he roomed and began work on catalogs and magazine illustrations. Both blossomed during the 1950s and 60s, Pearlstein becoming a major representative of the figurative tradition in postwar American art.
Architectural Masterpiece Preserved
Construction has begun on the West Mount Vernon Place, one of five historic buildings that make up the Walters Art Museum’s (MD) campus in Baltimore. When it reopens in spring 2018, the Walters will have completed a major revitalization that will preserve the architecture and history of the building while creating a space to present a new approach to the collection. The goal: to energize audiences, broaden the museum’s appeal, and extend the museum’s connection to the historic Mount Vernon neighborhood.
The project carries with it a $10.4 million price tag. Support has come from the State of Maryland, the City of Baltimore, Baltimore County, and other sources. $6 million has already been procured; the museum is working t raise the balance. Included in the project is the Hackerman House mansion, scheduled to reopen in spring 2018, the John and Berthe Ford Gallery, and the Carriage House, both to reopen in fall 2017.
The Walters’ strategic plan encompasses a set of multi-year goals and initiatives that envision the museum as a transformative force in the region. The completion of One West Mount Vernon Place is the spark that will ignite and inspire the community.
Fellowships Awarded by USA
The United States Artists has awarded 2016 USA Fellowship Awards of $50,000 each to 46 artists across nine creative disciplines—architecture and design, crafts, dance, literature, media, music, theater and performance, traditional arts, and visual arts. The 2016 Fellows were selected from over 500 artists nominated by their peers and judged by panels of experts in each discipline.
Founded in 2006 by the Ford, Rockefeller, Rasmuson, and Prudential Foundations, USA has provided almost $25 million in the form of unrestricted $50,000 awards to nearly 500 artists.
This year’s group of Fellows will be celebrated in Chicago at USA’s annual Artist Assembly in March 27-29 2017.
Museums spent some $5 billion on construction between 2007 and 2014. Astounding, considering that at the same time the country was in a deep economic recession. The conclusion: It’s easier to raise funds for new buildings than for art.
A meager 27 percent of 590 major solo shows in 70 museums between 2007 and 2013 were devoted to women. This phenomenon is improving, particularly in the U.S. and Western Europe, but it’s not yet what it should be.
$ for Clinton
Millions were raised by artists for Hillary Clinton to no avail. Artists remain unbelieving at the unbelievable result of the election.
The awe-inspiring group of men who were at work discovering lost and stolen artworks after WWII are poised to go back in action for the British Army, depending on the ratification of the Hague Convention that protects cultural property during war. Different men, same objective.
Picasso’s electrician Pierre Le Guennec—the one who stole 271 works, made between 1900 and 1930, from the maestro and hid them for 40 years—was given a suspended prison sentence, recently upheld by the court of appeals in Aix-en-Provence. The electrician’s wife received the same penalty. The artworks, including portraits of family and friends, two sketchbooks, and rare Cubist collages, none catalogued or signed, will be returned to the Picasso family.
Turns out that Le Guennec and his wife were buddies of Picasso’s late chauffeur Maurice Bresnu, who stole and ultimately sold some 600 of Picasso’s drawings.
A double-sided drawing by Leonardo da Vinci—Saint Sebastian bound to a tree on the front, optical studies and text on the reverse—was discovered in Paris at the auction house Tajan. The discovery, authenticated by a bevy of important experts, is thought to be among the drawings referred to in da Vinci’s Codex Atlanticus, a tome of his drawings, sketches and scientific studies. To now, only three have been located.
A temporary export ban will apply if the work is declared a “national treasure” by French authorities, in which case France will be given 30 months to buy it at market value.
Did You Know….
Charleston, South Carolina, was home to the first formal exhibition of Solomon R. Guggenheim’s modern art collection. The exhibition was presented at the Gibbes Museum of Art (SC) in 1936 and again in 1938, 21 years before Guggenheim’s collection found a permanent home in today’s museum designed by Frank Lloyd Wright.
After purchasing a home along the Charleston Battery and a property in nearby Yemassee in the 1920s, Solomon and Irene Guggenheim quickly became prominent figures in the Charleston community. Before becoming the first director of the Guggenheim Museum, art advisor Hilla Rebay curated the 1936 and 1938 exhibitions, bringing international attention to Charleston and record attendance levels for the Gibbes Museum of Art. Presently on exhibit once again, the character of the exhibitions has been preserved, occupying the exact building of the original showing, and adopting the specified original arrangement: the works are separated into sections, one for non-objective works and another for objective paintings.
Kahlo Portrait Holds Message
Less than a week before the U.S. presidential election in November, a powerful self-portrait by Frida Kahlo standing astride the U.S.-Mexico border will go on view at the Philadelphia Museum of Art (PA). Painted in 1932, Self-Portrait on the Borderline Between Mexico and the United States seems to defy time: It comes on view as a timely witness to the anti-immigration rhetoric of politicians who vow to force Mexico to build a wall on the border between the two countries.
Just 25 years old, Kahlo was in the United States with her husband Diego Rivera, who was working on various commissions across the country. Unhappy with life in the U.S., she wanted to return to Mexico. Her self-portrait shows a defiant Kahlo in a pink dress holding a Mexican flag in one hand and a cigarette in the other. She stands on the pedestal between an industrial American landscape of skyscrapers and factory smokestacks (marked “Ford” and obscuring the U.S. flag in a haze), and a Mexican desert of ancient ruins, Mesoamerican objects, native plants, and a skull. The two countries’ shared roots are treated with similar irony, with plants reaching deep into the soil on the Mexican side and electric wires dangling into the dirt north of the border.
Buddha Restored in Public
For six months, visitors to the Museum of Fine Arts Boston (MA) can either follow on line or watch conservators as they publicly restores Hanabusa Itch?’s rare masterpiece Death of Buddha (1773), one of the most important Buddhist paintings of its time.
The elaborate process proceeds through several steps: the dismantling of the scroll, and its reassembling; the installation of a new mounting, one that uses custom-woven silk (a reproduction of the original), which is made for the MFA by traditional weavers in Kyoto; the replacement of the gilt metal fittings carved with mythical lions, which was created and signed in the 18th century. Time, skill, and patience all represented in the course of art conservation.
Asian Art Initiative
A $6 million bequest from Alfred P. Gale has enabled the Minneapolis Institute of Art (MIA) to launch the Gale Asian Art Initiative, a multi-year program dedicated to enhancing visitor’s appreciation of and engagement with Asian art. In its first year, the initiative will focus on Chinese art and includes a number of programs and an exhibition of new and commissioned work by Chinese contemporary artist Liu Dan.
Each year the Gale Asian Art Initiative will highlight a different Asian culture accompanied by a robust roster of public programming and events.
Haring Mural in Danger
[A report from the August 2016 issue of The Art Newspaper]
Tenants due to be evicted from a building in the Morningside Heights area of Manhattan say they are worried about the fate of a mural that Keith Haring painted in 1983 or 84 across three floors of a stairwell. At that time the building was leased by the Catholic youth organization Grace House, which provided a home for young people. Having visited many times, Haring convinced the director, with help from the young residents, that he should decorate the walls.
The building was in jeopardy. The church cited its financial problems and no one knew the fate of the building. The tenants who remained filed a joint lawsuit against the church, alleging the eviction to be illegal. They also claimed that the mural is “part of our identities” as well as being a valuable example of Haring’s work. Julia Gruen, executive director of the Keith Haring Foundation had said in 2007, “In terms of imagery, it’s like a lexicon of [Haring’s] vocabulary.” The line of dancing figures moving up the stairwell begins with a Radiant Baby figure and includes other recurring icons like the barking dog.
The New York gallerist Jeffrey Deitch, who represented Haring’s estate after his death says, “The West 108th Street mural is an example of Keith’s generous character and his commitment to art as social engagement. Keith often spent more time creating public murals in children’s centers, hospitals, and playgrounds than he did in the studio.” Many of these locations have been torn down since his death in 1990, and in several cases sections of wall have been sold to help benefit charities.
Happily, new digital technology now allows mural works to be documented so that they can be recreated in another venue.
African American Collection Expands
In an effort to better reflect Detroit’s population, the Detroit Institute of Art’s new director Salvador Salort-Pons announced the launching of a three-year initiative of $3.7 million to expand its collection of works by African-American artists. The museum expects to hire a curator of contemporary African-American art to oversee acquisitions, exhibitions, and public programs. In addition the initiative will allow the introduction of paid internships designed to “pipeline African-Americans into museum fields where they are significantyly under-represented,” says the director.
African American Collection Expands
In an effort to better reflect Detroit’s population, the Detroit Institute of Art’s new director Salvador Salort-Pons announced the launching of a three-year initiative of $3.7 million to expand its collection of works by African-American artists. The museum expects to hire a curator of contemporary African-American art to oversee acquisitions, exhibitions, and public programs. In addition the initiative will allow the introduction of paid internships designed to “pipeline African-Americans into museum fields where they are significantyly under-represented,” says the director.